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The Iliad By Homer
Get Free Ebook The Iliad By Homer
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- Sales Rank: #167774 in Books
- Published on: 2014-01-02
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x 1.70" w x 9.20" l, 1.90 pounds
- Binding: Paperback
- 624 pages
Amazon.com Review
A Look Inside: The Iliad [Click Images to Enlarge] First Seven Lines of the Iliad: This reconstruction is based on what we know about the earliest Greek orthography.
The Walls of Troy: The translator standing before the walls of the sixth city at Troy.
The Judgment of Paris: On the right a youthful Paris sits on a stone in a rural location. The sheep near his feet indicates that he is a shepherd. Athenian red-figure water jar, c. 450 BC.
The Rage of Achilles: The seated Agamemnon holds the scepter of authority and sits on a throne, his lower body wrapped in a robe. Athena seizes Achilles from behind by the hair. Roman mosaic from Pompeii, c. First Century AD. The Wedding of Zeus and Hera: A half-naked Zeus, sitting on a rock, clasps the wrist of Hera. One of her breasts is exposed as Hera removes her head covering in a traditional gesture of submission. c. 540 BC Hephaistos Prepares Arms for Achilles: The smithy-god, bearded and wearing a felt cap, sits in an elaborately draped hall on a platform holding a cloth with which he is polishing the finished shield. Between him and Thetis are the breastplate and the shinguards (the surface of the fresco is damaged here). From Pompeii, c. AD 60.
From Booklist
*Starred Review* Following Stephen Mitchell’s superbly cadenced translation by a mere two years, Powell’s Iliad may not get the popular attention it deserves. That would be a great shame, for while Mitchell’s line is more singing, Powell’s very similar five-beat line is scarcely inferior. It, too, maintains the great forward momentum of Homer’s narration—it’s magnetically readable. But Powell puts explanatory notes at the pages’ feet rather than in an appendix like Mitchell, who probably doesn’t want to distract the reader from the narrative flow. Nevertheless, the footnotes’ greater accessibility is welcome. Whereas Mitchell’s introduction is primarily concerned with the qualities of the text, Powell’s longer one is much more historical, concerned with the evolution of writing; the nature of oral literature; Homer’s influence on Greek and Western history; the historical probabilities behind The Iliad; and what Homer’s portrayal of motivation and character—divine as well as human—reveals about a society creating literature out of oral traditions. Adding attractiveness as well as cultural supplementation, Powell also disperses more than 50 illustrations depicting moments in the poem, all drawn from Hellenic pottery and Roman frescoes. It’s tempting to think of Powell’s as a student’s and of Mitchell’s as a reader’s Iliad, but any library that can accommodate both really ought to. They’re both invaluable versions for the twenty-first century. --Ray Olson
Review
"Magnetically readable." --Booklist, starred review
"Homer's raw and violent Iliad remains as timeless and beautiful as the myth itself...highly recommended." --Choice
"[A] clear and energetic translation.... Staying true to Homer's poetic rhythms, Powell avoids the modified iambic lines found in Lattimore's, Fagles's, and Mitchell's works. He also avoids Lombardo's tendency to cast Homer in contemporary language and Fitzgerald's anachronisms. This fine version of The Iliad has a feel for the Greek but is more accessible than Verity's translation." --Library Journal
"Barry Powell, the master of classical mythology, has done it again--a powerful translation of the poem that started European literature. His muscular verses are faithful to the original Greek but bring the characters to life. This is a page-turner, bound to become the new standard translation." --Ian Morris, author of Why the West Rules--for Now
"This fine translation of the Iliad uses well-modulated verse and accurate English that is contemporary but never without dignity. It gives the modern reader as good an impression of Homer's sonorous Greek as one could hope to attain without learning the language; its execution is faithful in spirit to the poet, who composed his great epic orally without the use of writing. Both the translation and the introduction are consistently informed by the best recent scholarship. This translation deserves a very warm welcome." --Richard Janko, Gerald F. Else Distinguished University Professor of Classical Studies, University of Michigan
"Barry Powell's clever translation is simple and energetic: sometimes coarse, sometimes flowing, it is always poetically engaged. This is a harsh, straightforward, and often brutal world of aristocratic warriors whose values are unambiguous, priorities fixed, and sensibilities basic. Fresh and eminently readable, Powell's Iliad is likely to stay." --Margalit Finkelberg, Professor of Classics, University of Tel Aviv, and editor of The Homer Encyclopedia
"Barry Powell, a published poet and novelist, has produced an Iliad translation for the 21st century. Powell's translation beautifully conveys Homer's direct, yet often archaic, style; the introduction and notes situate the poem in its historical and literary context, so that a reader--specialist or otherwise--can appreciate the poem both as a product of its time and as a timeless work exercising its fascination in shifting ways on generations of readers for nearly 3,000 years." --John Bennet, Professor of Aegean Archaeology, University of Sheffield
"Powell's translation renders the Homeric Greek with a simplicity and dignity reminiscent of the original: graceful, matter of fact, poetic in a pleasantly understated way. Lucid and fast, the text immediately engrosses the reader, with a tight and balanced rhythm that sings, and with a closeness to the original that allows the reader to hear the incantatory repetitions in the Greek. More accessible than Lattimore, more poetic than Lombardo, and more accurate than Fagles or Fitzgerald, this translation is an excellent fit for today's students." --William A. Johnson, Professor of Classical Studies, Duke University
"With swift, transparent language that rings both ancient and modern, Barry Powell gives readers anew all of the rage, pleasure, pathos, and humor that are Homer's Iliad--a reading experience richly illumined by the insightful commentary and plentiful images accompanying the text." --Jane Alison, author of The Love-Artist
"Comprehensive and authoritative . . . highly recommended." --Choice
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