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Minimalism: Art and Polemics in the Sixties By James Meyer

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Sales Rank: #102245 in Books
Published on: 2004-08-11
Original language: English
Number of items: 1
Dimensions: 10.08" h x .91" w x 7.68" l, 2.52 pounds
Binding: Paperback
348 pages

From Publishers Weekly
James Meyer, exploring the debate over artists like Sol LeWitt, Donald Judd, Anne Truitt, Robert Morris and Dan Flavin in Minimalism: Art and Polemics in the Sixties, attempts to make sense of minimalism as an artistic moment. Meyer (editor of Minimalism) points out that, at first, the term "minimalism" was derogatory, implying that the art was too reduced and abstract. In the late '60s, the label lost its stigma as the work was widely recognized by major museums, and minimalist art headed toward canonization. Meyer analyzes that process as well as the backlash against minimalism by leftists, especially in Europe, who associated it with American cultural imperialism. He also places minimalist art in a broader cultural context, noting the stripped-down, austere sensibility that prevailed in '60s fashion and design, making the book attractive to anyone who enjoys cultural history. 130 b&w, 30 color photos.

Review
“Meyer’s writing is intelligent, informed, and subtle. The book is well produced and generously illustrated with good quality colour and black and white images.”—John A. Walker, Art Book

“This new volume combines a sophisticated reading of the critical discourse surrounding Minimalism with a step-by-step history of the work’s development and its appearance on the public stage from 1961 through 1968.”—Pepe Karmel, Art in America

About the Author
James Meyer is associate professor of art history at Emory University.

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